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    Programme Specifications

    Programme Specification

    BA (Hons) Fine Art (2014 entry)

    Academic Year: 2015/16

    This specification provides a concise summary of the main features of the programme and the learning outcomes that a typical student might reasonably be expected to achieve and demonstrate if full advantage is taken of the learning opportunities that are provided.

    This specification applies to delivery of the programme in the Academic Year indicated above. Prospective students reviewing this information for a later year of study should be aware that these details are subject to change as outlined in our Terms and Conditions of Study.

    This specification should be read in conjunction with:

    • Summary
    • Aims
    • Learning outcomes
    • Structure
    • Progression & weighting

    Programme summary

    Awarding body/institution 麻豆視頻_麻豆直播_麻豆传媒官网
    Teaching institution (if different)
    Owning school/department School of the Arts - pre 2017
    Details of accreditation by a professional/statutory body
    Final award BA (Hons) / BA (Hons)+ Diploma in International Studies / BA (Hons) + Diploma in Professional Studies
    Programme title Fine Art
    Programme code ACUB14/16
    Length of programme The duration of the Programme is six or eight semesters. Candidates following the four year programme are required to spend the third academic year undertaking an international university placement (DIntS) or professional training (DPS) in accordance with Senate Regulation XI. The third academic year (Part I) occurs between part B and part C. Alternatively, students may complete the programme on a part-time basis over not more than eight years.
    UCAS code W100, W101
    Admissions criteria

    http://www.lboro.hslppt.com/study/undergraduate/courses/departments/arts/fineart/

    Date at which the programme specification was published Wed, 09 Sep 2015 20:13:44 BST

    1. Programme Aims

    • To provide a supportive and intellectually stimulating environment where students can develop the critical and practical skills relevant to contemporary art practices.
    • To create an environment in which students encounter diverse and interconnected activities such as curating, exhibiting, cross-disciplinary practice and critical writing.
    • To enable students to gain a broad knowledge and understanding of all aspects of art making, encouraging risk-taking, curiosesity, innovation and adventurousness.
    • To foster a deep understanding of diverse methodologies that enables a critical framework for specialist art production, study and research.
    • To enable the student to develop autonomous working habits based on best practice exemplars in the professional art world: and to be cognizant of their role in a global contemporary society.
    • To ensure that students are able to contextualise their work with reference to relevant theoretical, historical, cultural, political and ethical issues, pertinent to contemporary art practice.
    • To prepare students for employment in germane creative industries.

    2. Relevant subject benchmark statements and other external reference points used to inform programme outcomes:

    • The Benchmark Statement for Art and Design: http://www.qaa.hslppt.com/academicinfrastructure/benchmark/honours/
    • The Framework for Higher Education Qualifications
    • The QAA Policy Statement on a structured and supported process for personal development 
    • Credit level descriptors for Higher Education, Sourthern England Consortium for Credit Accumulation and Transfer: http://www.seec.org.uk/publications/seec-credit-level-descriptors-2010-revised-2004

    3. Programme Learning Outcomes

    3.1 Knowledge and Understanding

     On successful completion of this programme, students should be able to:

    • Initiate, develop and evalsuate projects to generate a distinctive and personalised studio practice.
    • Use research methods related to studio practice: locate and evalsuate visual and textual sources, organise ideas, develop critical perspectives on research materials and autonomous work practices based on reflective feedback.
    • Analysis history and theory with an emphasis on the contemporary debate around the interpretation and production of meaning in Fine Art and the historical and international context.
    • Select and experiment with a broad range of materials and processes appropriate to contemporary art production and dissemination.
    • Synthesise intention, process, outcome and context, methods of presentation and dissemination, and an awareness of new developments within relevant fields of studio practice.
    • Integrate entrepreneurial and professional practices in Fine Art: composing applications for further study and exhibition opportunities, marketing methods, approaches to curating and enterprise.

     

     

    3.2 Skills and other attributes

    a. Subject-specific cognitive skills:

    On successful completion of this programme, students should be able to:

    • Initiate their own studio work with appropriate media, undertaking the research necessary to sustain their practice and to generate ideas, objectives, questions and solutions, either individually or collaboratively.
       
    • Comprehend how to use relevant media and select what is appropriate for developing particular themes and ideas through to material outcomes whether these are objects, texts, acoustic or other methodologies based on critical awareness of contemporary and historical Fine Art practice.
       
    • Be confident and skilled in discussing issues raised by their own work and that of their peers and be articulate in relating these issues to examples of both historical and contemporary practice from a national and international perspective.
       
    • Identify opportunities to install artwork in coherent and communicative exhibitions.
    • Research art historical themes and issues and present their conclusions lucidly in essay, presentation and dissertation formats.
       
    • Apply professionalism and resourcefulness in establishing student’s own practice or promoting that of others and ensuring success with their post-course intentions.
    b. Subject-specific practical skills:

    On successful completion of this programme, students should be able to: 

    • Develop a significant body of innovative studio work through experimental procedure, adventurous application of technical knowledge and creative translation of ideas into practice.
    • Effectively use materials and processes such as drawing, moving image, painting, photography, printmaking, sculpture, sound and any other practices relevant to contemporary Fine Art practice.
       
    • Discuss and respond in their studio work and presentations to themes and issues relating to local or global contemporary visual culture, which have been generated through their own research in relation to exhibitions, lectures, tutorials and seminars.
       
    • Research and organise material relating to studio practice, art historical and theoretical studies and recognize relevant intercultural issues, leading to skills in communicating ideas in diverse formats, including presentations, tutorial feedback, studio notebooks, short essays, blogs, dissertation and artist statements.
       
    • Report on museum and gallery exhibitions by summarizing their responses and delivering a public presentation that incorporates visual material. |
    • Curate exhibitions both of their own work and peers, as well as other artwork and related material, which will enable the student to understand the demands of Part C semester two Final Project.
       
    • Respond inventively to commission opportunities and be prepared to complete a commission brief.
    c. Key transferable skills:

    On successful completion of this programme, students should be able to: 

    • Use information technology: word processing and image manipulation.
    • Manage self learning: take on new practical and research skills in response to a developing programme of activity.
    • Problem solve: be resourceful in identifying and working with appropriate materials and processes to resolve questions arising in their work and to set challenges for future practice.
    • Teamwork: be skilled at working in groups, in determining the scope and goals of the project, in researching as a team and in delegating the separate tasks necessary for effective group presentation of material.
    • Communicate effectively: be experienced in clearly presenting their work to diverse audiences both verbally and in writing. 
    • Develop an appreciation of cultural diversity.

    4. Programme structure

     

    4.1 Part A - Introductory Modules

      

    Code

    Title

    Module Weight

    Sem

    status

    SAA123

    Introduction to Fine Art

    40

    1

    Compulsory

    SAA500

    Research, Analysis and Study Skills in Art and Design

    30

    1&2

    Compulsory

    SAA124

     Developing Fine Art Practice

    50

    2

    Compulsory

     

     

    4.2          Part B - Degree Modules

     

    Code

    Title

    Module
    Weight

    Sem

    status

    SAB114

    Locating Fine Art Practice

    40

    1

    Compulsory

    SAB115

    Reflective Fine Art Practice

    40

    2

    Compulsory

    SAB931

    Contemporary Art and Aesthetics

    20

    1

    Compulsory

     Students must choose a 20 credit module from the indicative School-wide options below:

    Code

    Title

    Module
    Weight

    Sem

    status

    SAB933

    Textiles Futures

    20

    2

    Option

    SAB934

    Fashion Theory

    20

    2

    Option

    SAB935

    Art, Activism and Society

    20

    2

    Option

    SAB936

    Urban Visual Culture

    20

    2

    Option

    SAB937

    Wearable Words, Artefacts and New Technologies

    20

    2

    Option

    SAB938

    Arts Management

    20

    2

    Option

    EAB012

    African American Culture

    20

    2

    Option

    EAB018

    Women's Writing in the Seventeeth Century

    20

    2

    Option

    EAB033

    Pupperty

    20

    2

    Option

    EAB060

    American Nightmare

    20

    2

    Option

    EAB110

    Introduction to Multimodality

    20

    2

    Option

    EAB114

    Elephants and Engines: An Introduction to Creative Writing

    20

    2

    Option

    EAB704

    Modern and Contemporary British Theatre

    20

    2

    Option

    EAB805

    Children's Reading

    20

    2

    Option

    EAB904

    Playwriting and Dramaturgy

    20

    2

    Option

     

    4.3       Part I – Year Out (Four year Programme only)

     Code

     Title

     Module Weight

     Sem

     status

     SAI001

     Industrial Training Placement

     120

     1 & 2

     Optional

     SAI002

     International University
    Placement

     120

     1 & 2

     Optional

     Students choose one fo the above options.

     

    4.4       Part C - Degree Modules

     

    Code

    Title

    Module Weight

    Sem

    status

    SAC940

    Art and Design Dissertation

    40

    1&2

    Compulsory

    SAC116

    Professional Fine Art Practice

    20

    1

    Compulsory

    SAC117

    Fine Art Practice Final Project

    60

    2

    Compulsory

     

     

     

    5. Criteria for Progression and Degree Award

    In order to progress from Part A to Part B, from Part B to C and to be eligible for the award of an Honours degree, candidates must not only satisfy the minimum credit requirements set out in Regulation XX but also:

    • In order to progress from Part A to Part B, candidates must have accumulated 120 credits.
    • In order to progress from Part B to Part C, candidates must have accumulated 120 credits in Part B.
    • In order to qualify for the award of a Degree, candidates must have accumulated 120 credits in Part C. 

    Successful completion of Part I leads to the additional qualification of Diploma in International Studies or Diploma in Professional Studies. 

    Part-time students may negotiate the order in which modules are completed, subject to the following restrictions: 

    All part A modules must be passed before the start of part B of the programme.

    All part B modules must be passed before the start of part C of the programme. 

    Students may transfer between full-time and part-time modes of study with the permission of the Dean of School (or nominee). 

    Provision will be made in accordance with Regulation XX for candidates who have the right of re-assessment.

    Reassessment will not be allowed in the Special Assessment Period (SAP) if:

    • candidates have accumulated fewer than 60 credits in any part of the programme
    • candidates have gained a mark of less than 30 in SAC117

     

    6. Relative Weighting of Parts of the Programme for the Purposes of Final Degree Classification

    Candidates' final degree classification will be determined on the basis of their performance in degree level Module Assessments in Parts B and C. The percentage mark for each Part will be combined in the ratio Part B 20 and Part C 80 to determine the final percentage mark.

     

     

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